Carpool
The streets were eternal back thenback when back seat was a canopy of armsstretched out like the solsticethe thump of tire on chewed cementjolting the deviance from feeble bodiesMomma was no pilot, bu... Read more
She Gets There
It took her fourteen years to get back to a city. It wasn’t a big city, but hey, it had a bus. Refreshing Google Maps every minute, she prays that all her transfers connect. And there’s no street ... Read more
Remind Them
Colour: forever reside in my blood will keep me on holy ground colour that lived war inside of her. War: the goodbye kisses, tangible on cheek three years on nothing left to go back too. Hom... Read more
The Boy Who Broke the GRT
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Revitalization
Pen and watercolour ... Read more
True Blue
Elvis isn’t dead. He lives in Kitchener, Ontario, on a bench outside the grocery store. “One for the money!” I’m always tempted to say, as I dump a pathetic amount of change into his blistery ... Read more
Sacred Spaces
When Indigenous youth began to hold space at O:se Kenhionhata:tie, we knew this was the beginning of a movement that was going to bring about change. We had become a ceremonial gathering space for Two Spirit and queer Indigenous youth and queer settler allies—a place for transformation. Many of the youth who were part of the camp had very little knowledge of their culture and came wanting to learn about their Indigeneity. Knowledge keeper Dr. Kathy Absolon led us one evening in a full moon ceremony and shared teachings about the moon and the water we all carry within us. In a circle we formed around our sacred fire, Dr. Absolon passed a feather to invite us all to share about ourselves. Many youth cried as they spoke—there were tears of happiness and sadness from a longing to reconnect to the land. For some, it was their first time sitting in ceremony. The camp became a refuge where the youth could be themselves, unapologetically Indigenous and/or queer, and free of judgement. The following is a collection of photos I shot at camp, along with words from land defenders who took up space with us. — Shawn Johnston Read more
Enigma
Listen to Seemab read her poem: Textile · Enigma - Seemab ZahraWhat mystery do you hide in your inability to endure a dream that is empty of my existence? Now I am in disbelief; For you have become t... Read more
An Ode to Closure
Last year students from Cameron Heights Collegiate Institute (CHCI) filled the pages of issue i with creative writing and visual art. For issue ii, we had hoped to continue our collaboration with the school through a series of in-person workshops, and to connect with more students from high schools across Waterloo Region. COVID-19 put these plans on hold, but fortunately, one art teacher from CHCI fought to keep his students connected with us. We thank all the workers in education and students who continue to navigate complexity during the pandemic, especially those who give time and energy to facilitate opportunities for artistic development. Read more
Policing the Pandemic
When the first wave of COVID-19 in March 2020 set off emergency orders in Ontario, police departments were given increased powers to enforce public health measures that called for self-isolation and physical distancing. Neighbours were also encouraged to police each other through the use of “snitch-lines”, and an expanded state of surveillance was assumed as a new normal. This deepened pre-existing police presence and control in neighbourhoods where more poor, Black, Indigenous, and immigrant communities live. KW Article Club, a reading group and art collective based in Waterloo Region, informed by work from local and international Black activists and organizers, sought to address these structural inequities in March 2020 through a zine titled #PolicingThePandemic. The following feature is an adapted version of that zine that adds two pieces that delve into the impact policing has on Black people, making a case for why we continue to strive towards a future where we prioritize care instead of enforcement. Read more
The Screen is a Portal
Especially while in self-isolation, screens—whether windows or devices —have become a portal for connecting us with the world beyond our domestic walls. The screen that we choose determines how we... Read more
Year 2020
I see metal falling from the sky.I see metal soaring up high,and monsters rising from the ground,sucking up humans.You say 2020 has awakened all the sleeping monsters.I say these monsters were busy in... Read more
When I First Stepped on the Moon (Digital Storytelling Workshop)
Man first stepped on the moon in 1969. I heard this when I was a child, barely seven or eight years. I started searching for more about it, but there was no internet in Pakistan... Read more