Issues

Carpool

In Issue 1: In Transit

Zainab Mahdi

The streets were eternal back thenback when back seat was a canopy of armsstretched out like the solsticethe thump of tire on chewed cementjolting the deviance from feeble bodiesMomma was no pilot, bu... Read more

Untitled

In Issue 1: In Transit

Shams Aldouha Alsayer

نهض طفلاً من بين الجثث و اجساد الجرحى انتبه انه فقد احد يداه فذهب يبحث عنها بين فوضى الاشلاء البشرية عله يعثر ع... Read more

Yusuf

In Issue 1: In Transit

Zain Bandali

trapped in a moving trainknee to knee with an archangel sun radiating off sandy complexionmanicured stubble lining jawline sharp and effortlesstaste of blood floods to my mouth Ya Khaaliq, You are the... Read more

Time Machine

In Issue 1: In Transit

Nur Al-Mouna

A time travel machine. It might sound futuristic, something science fiction writers spend pages and pages imagining. In fact, I have seen one. I will try to describe it for you, in case you have seen ... Read more

Culture

In Issue 1: In Transit

Samantha Estoesta Williams

The first time I saw Apo Tudo, The Ilocano rain deity, I swear, he sent mist to that mountain Outside of Baguio Kissing the Filipino soil with sweet promises and tearful memories My grandmother share... Read more

Duality

In Issue 1: In Transit

Connor Chin-Quee

“Where are you from?” Usually, people don’t believe that I’m Jamaican, on account of me not having an accent, not speaking patwa—and also not being Black. They don’t generally have a probl... Read more

The Mosaic of Brokenness

In Issue 1: In Transit

Jennifer Drews

(today) I cried, driving to the grocery store, for no reason, other than, I remembered (so when does it end?) When I am accomplished and successful, is that when I feel whole again? I desper... Read more

Why Do the Fare Inspectors Look Armed?

In Issue 1: In Transit

Eve Nyandwi

Every LRT car I hop into will visit Conestoga Station and Fairview Station, even if I don’t witness them. Even if I’ll never truly know for sure. I keep the volume in my headphones low enough that... Read more

True Blue

In Issue 2: Space(s)

Nicole Smith

Elvis isn’t dead. He lives in Kitchener, Ontario, on a bench outside the grocery store. “One for the money!” I’m always tempted to say, as I dump a pathetic amount of change into his blistery ... Read more

The Tower

In Issue 2: Space(s)

Connor Chin-Quee

Looking down to the ground below, wind whips around my body. The gravity allures me, asking me to take the step forward, asking me to throw it all away. I am reassured; my heart gives way to apathy. T... Read more

Policing the Pandemic

In Issue 2: Space(s)

Niara van Gaalen Seemab Zahra Yasmeen Nematt Alla Tomi A. Ryan Antooa

When the first wave of COVID-19 in March 2020 set off emergency orders in Ontario, police departments were given increased powers to enforce public health measures that called for self-isolation and physical distancing. Neighbours were also encouraged to police each other through the use of “snitch-lines”, and an expanded state of surveillance was assumed as a new normal. This deepened pre-existing police presence and control in neighbourhoods where more poor, Black, Indigenous, and immigrant communities live. KW Article Club, a reading group and art collective based in Waterloo Region, informed by work from local and international Black activists and organizers, sought to address these structural inequities in March 2020 through a zine titled #PolicingThePandemic. The following feature is an adapted version of that zine that adds two pieces that delve into the impact policing has on Black people, making a case for why we continue to strive towards a future where we prioritize care instead of enforcement. Read more

Tiles

In Issue 2: Space(s)

Dewe'igan Bearfoot Olivia Maine

For Indigenous peoples across Turtle Island, the pandemic deepened pre-existing inequities. The aid that settler-colonial systems offered did not account for (or value) the importance of physical and spiritual spaces for Indigenous communities. Locally, urban Indigenous youth who were just beginning to learn about their culture were suddenly denied access to spaces they needed in order to be in relationship with each other and with the land. Building relationships with the land and with each other in a face-to-face way is an important part of reconnection and healing; removing these connections deeply impacted Indigenous youth and made it necessary to adapt art projects accordingly. To navigate this, Textile supported Pins and Needles Fabric Company, an Indigenous inter-arts company in Waterloo Region, in co-designing an art program with Indigenous youth. Through online talking circles and in-person meetings with appropriate physical distancing, youth considered the following questions: How is Indigeneity (re)claimed or denied during this pandemic? How does physical distancing and self-quarantine impact relationships to the land and to the community? Based on conversations on how youth wanted to express themselves, participants were delivered art-kits containing supplies to make tile art on wood panels to respond to these questions. The following feature shares artwork from two of the seven youth who engaged in this program. Read more

Windows

In Issue 2: Space(s)

Jordan Berhe

I view space as something positive and negative. A space is something we can connect and grow in, but too much space, or space applied in the wrong way, becomes isolating. I’ve spent a lot of time trying to find my space, people who looked and thought like me, and it wasn’t until I did that I got an idea of who I was. These portraits show that spaces can be scary, isolating, and confusing, but they can be a space to grow and become, too Read more

Sidewalk Courage

In Issue 2: Space(s)

Niara van Gaalen

1 My sister is an athlete. She is also a Black teenager living in a townhouse complex. Not the kind where well-to-do young people pay condo fees, but the kind where the kitchen counters are laminate a... Read more