Moose
From the fourteenth floor, you can see how much has changed down at King and Victoria. The skyline is filled with condos. But also, along the plateau of the train tracks: a patch of hill, a shopping c... Read more
Translator's Note
The translation of the Arabic pieces in this magazine was a collaborative effort. Most often, the author wrote a rough English translation that I edited and later passed on for review with other nativ... Read more
Treatment
It’s six am, I didn’t sleep, I got a dozen phone calls on my cell. She’s ready for treatment. “I’ll meet you at eight,” she said. So I made the phone calls. I fo... Read more
Two Movements
I From the terrace before six I see a train crossing, Three cars long—“That’s it?” Passing in no time at all. I linger for the evening commuter; longer, heavier, humi... Read more
Three Poems
Untitledmy mother is a pile of dust between two bricks unable to be condensed to a finer powder she sleeps in her ashtray next to the cigarettes that numb her I walk through the door just make a good ... Read more
Quezon City, October 1, 1975
Everyone is watching two men bleed in the square. i. They’re leaning on each other, heads on the other’s shoulders. The referee pushes them apart and the mouthpieces fly into the air. Granddad, th... Read more
Windows
I view space as something positive and negative. A space is something we can connect and grow in, but too much space, or space applied in the wrong way, becomes isolating. I’ve spent a lot of time trying to find my space, people who looked and thought like me, and it wasn’t until I did that I got an idea of who I was. These portraits show that spaces can be scary, isolating, and confusing, but they can be a space to grow and become, too Read more