Issues

Carpool

In Issue 1: In Transit

Zainab Mahdi

The streets were eternal back thenback when back seat was a canopy of armsstretched out like the solsticethe thump of tire on chewed cementjolting the deviance from feeble bodiesMomma was no pilot, bu... Read more

Translator's Note

In Issue 1: In Transit

Bashar Lulu Jabbour

The translation of the Arabic pieces in this magazine was a collaborative effort. Most often, the author wrote a rough English translation that I edited and later passed on for review with other nativ... Read more

Duality

In Issue 1: In Transit

Connor Chin-Quee

“Where are you from?” Usually, people don’t believe that I’m Jamaican, on account of me not having an accent, not speaking patwa—and also not being Black. They don’t generally have a probl... Read more

Grieving a Stranger

In Issue 1: In Transit

Meseret Abebe

My parents came to Canada as refugees in the late ’80s for better opportunities and to escape Ethiopia’s hellish dictatorship. Though I cannot know the extent of their struggles, I can speak of th... Read more

The Boat

In Issue 1: In Transit

Jordan Wallace

... Read more

True Blue

In Issue 2: Space(s)

Nicole Smith

Elvis isn’t dead. He lives in Kitchener, Ontario, on a bench outside the grocery store. “One for the money!” I’m always tempted to say, as I dump a pathetic amount of change into his blistery ... Read more

The Tower

In Issue 2: Space(s)

Connor Chin-Quee

Looking down to the ground below, wind whips around my body. The gravity allures me, asking me to take the step forward, asking me to throw it all away. I am reassured; my heart gives way to apathy. T... Read more

Quezon City, October 1, 1975

In Issue 2: Space(s)

Jared Cubilla

Everyone is watching two men bleed in the square. i. They’re leaning on each other, heads on the other’s shoulders. The referee pushes them apart and the mouthpieces fly into the air. Granddad, th... Read more

Skin

In Issue 2: Space(s)

Yvonne Tagoe

Textile · Yvonne Tagoe - SkinMy skin is a beautiful gift not a sin But in this foreign land They don’t understand that my skin is my pride and joy In this foreign land far from home my skin is a so... Read more

Tiles

In Issue 2: Space(s)

Dewe'igan Bearfoot Olivia Maine

For Indigenous peoples across Turtle Island, the pandemic deepened pre-existing inequities. The aid that settler-colonial systems offered did not account for (or value) the importance of physical and spiritual spaces for Indigenous communities. Locally, urban Indigenous youth who were just beginning to learn about their culture were suddenly denied access to spaces they needed in order to be in relationship with each other and with the land. Building relationships with the land and with each other in a face-to-face way is an important part of reconnection and healing; removing these connections deeply impacted Indigenous youth and made it necessary to adapt art projects accordingly. To navigate this, Textile supported Pins and Needles Fabric Company, an Indigenous inter-arts company in Waterloo Region, in co-designing an art program with Indigenous youth. Through online talking circles and in-person meetings with appropriate physical distancing, youth considered the following questions: How is Indigeneity (re)claimed or denied during this pandemic? How does physical distancing and self-quarantine impact relationships to the land and to the community? Based on conversations on how youth wanted to express themselves, participants were delivered art-kits containing supplies to make tile art on wood panels to respond to these questions. The following feature shares artwork from two of the seven youth who engaged in this program. Read more

Steal Myself Back

In Issue 2: Space(s)

DIJAH

CN: mention of blood, colonizers’ names, assimilation, Transatlantic captive trade, hostility to the land Textile · DIJAH - Steal Myself Back (Issue II Soundscape)This soundscape is a collab betwee... Read more

Grieving a Stranger (Digital Storytelling Workshop)

Meseret Abebe

My parents came to Canada as refugees in the late ’80s for better opportunities and to escape Ethiopia’s dictatorship. Though I cannot know the extent of their struggles, I can speak of their consequences... Read more