Issues

Acknowledging the Land

In Issue 01: In Transit

Terre Chartrand Trisha Abe

Land acknowledgments are at risk of becoming quotidian; it’s now standard for Canadian litmags to include one on their inside cover. We wanted to be more intentional in our acknowledgment of the land by featuring a mural co-designed by Indigenous and Western artists. We wanted Indigenous youth to respond to the question: “how do you want settlers to acknowledge the land?” This mural was held on display at 220 King St West for a week, and now resides at the Pins and Needles Fabric Company on Fredrick Street. This collaboration is just the beginning: we will continue to stand in solidarity with Indigenous peoples on this land and internationally. While remaining open to critique so that we may continue to grow, we hope our mural provides a model for how truth and reconciliation can be realized through the arts. Read more

The Mosaic of Brokenness

In Issue 01: In Transit

Jennifer Drews

(today) I cried, driving to the grocery store, for no reason, other than, I remembered (so when does it end?) When I am accomplished and successful, is that when I feel whole again? I desper... Read more

Vermillion

In Issue 2: Space(s)

Zehra Nawab

The day starts for the poor long before it does for the rich; for the ruled long before it does for the rulers; for the sun long before it does for the moon; for the Indians long before it does for th... Read more

Steal Myself Back

In Issue 2: Space(s)

DIJAH

CN: mention of blood, colonizers’ names, assimilation, Transatlantic captive trade, hostility to the land Textile · DIJAH - Steal Myself Back (Issue II Soundscape)This soundscape is a collab betwee... Read more

Vermillion (Digital Storytelling Workshop)

Zehra Nawab

The day starts for the poor long before it does for the rich; for the ruled long before it does for the rulers... Read more