Issues

Carpool

In Issue 01: In Transit

Zainab Mahdi

The streets were eternal back thenback when back seat was a canopy of armsstretched out like the solsticethe thump of tire on chewed cementjolting the deviance from feeble bodiesMomma was no pilot, bu... Read more

Yusuf

In Issue 01: In Transit

Zain Bandali

trapped in a moving trainknee to knee with an archangel sun radiating off sandy complexionmanicured stubble lining jawline sharp and effortlesstaste of blood floods to my mouth Ya Khaaliq, You are the... Read more

Acknowledging the Land

In Issue 01: In Transit

Terre Chartrand Trisha Abe

Land acknowledgments are at risk of becoming quotidian; it’s now standard for Canadian litmags to include one on their inside cover. We wanted to be more intentional in our acknowledgment of the land by featuring a mural co-designed by Indigenous and Western artists. We wanted Indigenous youth to respond to the question: “how do you want settlers to acknowledge the land?” This mural was held on display at 220 King St West for a week, and now resides at the Pins and Needles Fabric Company on Fredrick Street. This collaboration is just the beginning: we will continue to stand in solidarity with Indigenous peoples on this land and internationally. While remaining open to critique so that we may continue to grow, we hope our mural provides a model for how truth and reconciliation can be realized through the arts. Read more

Moose

In Issue 01: In Transit

Anonymous

From the fourteenth floor, you can see how much has changed down at King and Victoria. The skyline is filled with condos. But also, along the plateau of the train tracks: a patch of hill, a shopping c... Read more

Culture

In Issue 01: In Transit

Samantha Estoesta Williams

The first time I saw Apo Tudo, The Ilocano rain deity, I swear, he sent mist to that mountain Outside of Baguio Kissing the Filipino soil with sweet promises and tearful memories My grandmother share... Read more

Duality

In Issue 01: In Transit

Connor Chin-Quee

“Where are you from?” Usually, people don’t believe that I’m Jamaican, on account of me not having an accent, not speaking patwa—and also not being Black. They don’t generally have a probl... Read more

Grieving a Stranger

In Issue 01: In Transit

Meseret Abebe

My parents came to Canada as refugees in the late ’80s for better opportunities and to escape Ethiopia’s hellish dictatorship. Though I cannot know the extent of their struggles, I can speak of th... Read more

Remind Them

In Issue 01: In Transit

Shama Saleh

Colour: forever reside in my blood will keep me on holy ground colour that lived war inside of her. War: the goodbye kisses, tangible on cheek three years on nothing left to go back too. Hom... Read more

Treatment

In Issue 01: In Transit

Anonymous

It’s six am, I didn’t sleep, I got a dozen phone calls on my cell. She’s ready for treatment. “I’ll meet you at eight,” she said. So I made the phone calls. I fo... Read more

The Boat

In Issue 01: In Transit

Jordan Wallace

... Read more

The Tower

In Issue 2: Space(s)

Connor Chin-Quee

Looking down to the ground below, wind whips around my body. The gravity allures me, asking me to take the step forward, asking me to throw it all away. I am reassured; my heart gives way to apathy. T... Read more

An Ode to Closure

In Issue 2: Space(s)

Rumaisa Bhatti Conan Stark Shukri Abdi Areeba Shaikh

Last year students from Cameron Heights Collegiate Institute (CHCI) filled the pages of issue i with creative writing and visual art. For issue ii, we had hoped to continue our collaboration with the school through a series of in-person workshops, and to connect with more students from high schools across Waterloo Region. COVID-19 put these plans on hold, but fortunately, one art teacher from CHCI fought to keep his students connected with us. We thank all the workers in education and students who continue to navigate complexity during the pandemic, especially those who give time and energy to facilitate opportunities for artistic development. Read more